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Jackie Gleason Collection,

University of Miami

The Jackie Gleason Collection reflects the multidimensional talents and interests of a legendary actor and comedian. Jackie Gleason's personal library included more than 3,700 volumes and focused on two subjects: entertainment and parapsychology. According to friends and family, Gleason’s serious interest in parapsychology was not born of pure belief, but rather of a curiosity about the unknown and a lifelong search for spiritual fulfillment. Marilyn Gleason, his widow, donated the collection to the University of Miami in 1988. She felt strongly that the collection belonged in Miami, and at the University of Miami, due to her husband’s long association with the city.

The Archives and Special Collections Department houses Richter Library's collection of rare books, manuscripts, and university records. Rare books and special collection materials include approximately 25,000 volumes, 350 manuscript collections, 10,000 photographs, 5,000 maps, 2,000 architectural drawings, and 1,750 linear feet of university records. The de­partment is recognized for outstanding collections relating to Florida and the Caribbean region, including Cuba and the Cuban exile experience. Additional subjects of note include American and British literature, archi­tecture, natural history, exploration and travel, aviation, and many others. The published works of notable authors including Wallace Stevens. Sir Richard Burton, Aldous Huxley, Lafcadio Hearn, and Charles Dickens con­tribute to departmental holdings.

The Gleason Collection also provides fascinating insights into the private life of a truly public figure. Jackie Gleason was a largely self-educated man, with a passion for reading that rivaled his desire to make us laugh. Gleason cherished books, personally selecting each title for his library, and he often devoured entire volumes in a single sitting. Through books and literature, Gleason explored his personal interest in such areas as reincar­nation, mental telepathy, UFOs, witchcraft, and the occult.

Gleason compiled a wide range of materials relating to parapsychology, approximately 1,700 volumes. In addition to many popular works, Glea­son amassed a number of rare, unusual, and scholarly titles. The Gleason Collection includes lengthy, although incomplete, runs of the Journal of the American Society for Psychical Research (1907-1982); Journal of the Society for Psychical Research (1887-1930); Occult Digest (1925-1939); Borderland (1893-1897): and Fate (1948-1976). Monograph titles found in the collection in­clude Ancient Mysteries Described, by William Hone (London, 1823); On Hallucinations: A History and Explanation of Apparitions, Visions, Dreams, Ecstasy, Magnetism, and Somnambulism, by Alexandre-Jacques-François Brierre de Boismont, translated by Robert T. Hulme (London, 1859); and Ghostology: Or the Experience of Immaterial Men in Earth, Heaven, and Hell, by William Sheldon (Boston, 1862).

The collection also includes titles from the world of entertainment, with numerous biographies and autobiographies of contemporary comedians and actors. George Jessel’s This Way, Miss (New York, 1955) and Cindy and I: The Real Life Adventures of Mr. and Mrs. Joey Adams (New York. 1957) both bear inscriptions to “The Great One." In addition, the Gleason Collection contains issues of Fun-Master Monthly—The Comedian, a compilation of jokes, skits, and comedic lines for the professional entertainer.

The Jackie Gleason Collection bookplate celebrates the comic genius of a remarkable performer who entertained millions of people as Ralph Kramden, the Brooklyn bus driver; Reginald Van Gleason III, the wealthy, bumbling aristocrat; the sorrowful Poor Soul; and many others. The stick figure depicted on the bookplate holds the familiar pose Gleason assumed following the completion of the opening monologues on his long-running television variety show. As he struck this classic burlesque comedy pose, with a showman’s flamboyance and style that never failed to capture the attention of his huge audience, Gleason would utter the words “And away we go!" This phrase, like so many other classic lines delivered by Gleason, is now fully ensconced in the lexicon of American culture.

The bookplate serves as a most appropriate introduction to Gleason's books, inviting the reader to explore the world of entertainment and the world of the supernatural. The source for the design is Jackie Gleason himself. Gleason drew this figure in the early 1950s, and the image soon appeared on such items as personal stationery and jewelry commissioned for Marilyn Gleason. Under these circumstances, the quest to select an appropriate bookplate design found one clear choice.

The bookplate measures 3 3/16 inches wide by 4 1/2 inches high. The stick­ figure, forever balanced on one leg, dominates the bookplate. Text above the figure identifies the permanent home for this fascinating collection, the "University of Miami Library." The phrase that appears underneath the figure. “from the library of jackie gleason 1916-1987," offers a simple tribute to Jackie Gleason—actor, comedian, entertainer, book lover, and book collector. 

William E. Brown, Jr.

Otto C. Richter Library

University of Miami, Coral Gables

 

[Originally published in Journal of Library History, vol. 26, no. 4 (Spring 1991): 608-610.] 

 

 
          Last updated June 30, 2001