Click here to go to Bookplate Archive Home Page

 

         
 

 

L & C Home

Bookplate Archive Home

Bookplates Index by Issue

Bookplate Index by Library or Collector

Bookplate Index by Country

Bookplate Index by Designer

Subscribe

Resources for Library History

Contact L&C

 

     

 

Jonathan Dwight,

Marcia Brady Tucker Collection,

Smithsonian Institution Libraries

By 1800 relatively few North American birds had been named and described. The major task of ornithology in the nineteenth century, therefore, was to provide a comprehensive species list of North American birds with sufficient description to allow identification. More detailed description then supported studies of taxonomic relationships and within-species variation, including geographical variation, sexual dimorphism, age-related change, and variation related to the molt cycle. This work required numerous specimens, which were collected with the gun and deposited in museums for study. New Yorker Jonathan Dwight belonged to this essential descriptive phase of North American ornithology. In the days before professionalization and specialization, when gifted amateurs could make valuable contributions to the natural sciences, Dwight collected more than sixty thousand North American bird skins, eventually depositing the collection at the American Museum of Natural History in New York for study by his fellow ornithologists.

Dwight was born in 1858, graduated from Harvard in 1880, and received his medical degree at Columbia University in 1893. Although trained as a physician, he practiced medicine for only fifteen years before turning full­time to the study of birds, an interest that began when he was fourteen. During his undergraduate days, he would rise as early as 3 a.m. to climb trees so he could collect eggs and nests, holding the eggs in his mouth to free his arms for the descent. His diary entry for 11 May 1878 recorded that "my mouth has not accommodation for 5 Crow Blackbird’s eggs as proved by my tooth (not the only one I have) going through one, while descending a spruce tree by moonlight."

In 1877 Dwight began keeping systematic notes about his sightings and about the birds he collected. Hunting trips with his father and training in rifle shooting while a member of the New York National Guard prepared him well for the task of collecting, and his training as a surgeon developed his ability to prepare the bird skins for study. The skills of collecting, minute observation, and detailed description combined to produce one of the most important of Dwight's numerous published articles, “The Sequence of Plumages and Molts of the Passerine Birds of New York" (Annals of the New York Academy of Sciences 13 [1900]: 73-360), based on painstaking counts and microscopic examination of feathers and feather tracts. A later work, Gulls of the World, published as a Bulletin of the American Museum of Natural History in 1925, brought him recognition as an expert on the Laridae.

As a member of the American Ornithologists' Union from its inception in 1883, Dwight participated in the development of ornithology as a profession. He served as treasurer from 1903 until 1920, then as vice-president until 1923, when he was elected president for a three-year term. The American Museum of Natural History provided Dwight a room for his growing collection of North American birds in 1909, and there he amassed, labeled, and cataloged more than sixty thousand skins before his death twenty years later. His interest in classification and nomenclature led to his diligent acquisition of bird books to help him identify species and sub­species.

Because descriptive ornithology was a scholarly field in which an enormous accumulation of facts was gathered and worked into a coherent description of the taxonomy, structure, and distribution of North American birds, its practitioners depended on a large and scattered literature in which many old sources continued to be of major significance. At a time when there were few large public collections of books, naturalists formed working Collections of their own and exchanged needed publications among themselves. Since “Americana” had not become collectible in his day, Dwight was able to purchase many early American imprints. He also accumulated an important collection of local bird lists. But Dwight's bibliophilic enthusiasm appears to have gone beyond his immediate needs for scientific work, entering the realm of book collecting per se. He is listed as a collector of North American ornithology in Private Book Collectors in the United States and Canada with Mention of Their Hobbies (comp. John Allan Holden [New York: Bowker, 1925]); he is also in the 1919 edition.

Many of today's great ornithological collections have as their nuclei private collections, such as the Coe collection at Yale, the Ellis collection at the University of Kansas, the Ayer collection at the Field Museum in Chicago, the Thayer collection at Harvard, the Blacker and Wood collections at McGill, and the Elliot collection at the American Museum of Natural History. Dwight's library followed that tradition. Soon after Dwight's death in 1929, New York socialite and amateur ornithologist Marcia Brady Tucker, the wealthy daughter of one of the founders of Consolidated Edison and Union Carbide and a two-term director of the National Association of Audubon Societies, acquired the collection. Her private librarian, Madeleine Curtis, worked in the early 1930s to acquire additional titles; she also may have weeded titles that Tucker already owned, since some volumes with Dwight bookplates have become available on the antiquarian market over the years. Upon Tucker's death in 1976, the collection, numbering almost five hundred titles, went to the Smithsonian Institution Libraries as a gift. Among the books featuring Dwight bookplates in the Smithsonian's Tucker collection are The Naturalist's Library: Containing Scientific and Popular Descriptions of Man, Quadrupeds, Birds, Fishes, Reptiles and Insects (Boston: Phillips, Sampson, and Company, 1854) and Journal of an Exploring Tour beyond the Rocky Mountains (Ithaca: The Author, 1838). The bookplate reproduced on the cover is from The Land-birds and Game-birds of New England by H. D. Minot (Salem: The Naturalists' Agency, 1877), in the possession of Frederic F. Burchsted. That book includes the inscription ''from Aunt Baker, Christmas 1877.''

Dwight's bookplate, measuring approximately 2 3/4 inches long by 3 3/4 inches, clearly represents the ethos of the era during which he pursued ornithology. The graphic elements include a rifle and a quill pen, alluding to the primacy of collection and description. The open book pictured on the bookplate reads, "A bird in the hand is worth two in the bush," which, together with the number of birds depicted, echoes the eagerness for specimens characteristic of a time when ornithologists were preeminently collectors. Although the engraver of Dwight's appealing bookplate is identified by the initials "G. G. D." in tiny type on the plate itself, it seems likely that Dwight himself directed the use of that imagery. Once the North American bird fauna was thoroughly described taxonomically and morphologically, a new generation of ornithologists turned to detailed observation and analysis of behavior and ecology. This change was aided by the establishment of reliable methods of sight identification during the 1920s and 1930s, utilizing improvements in binocular design. In contrast to Dwight's imagery, an ornithologist's bookplate from the later era was likely to depict a single, clearly living bird and perhaps a pair of binoculars.

Upon Dwight's death in 1929, the AOU's quarterly publication printed an obituary that said, in part, "He endeared himself to all with whom he came in contact and most ornithologists who have visited New York during the past thirty years have delightful recollections of the hospitality of his home and the pleasure of consulting with him his unrivalled library of American Ornithology." That collection, now named for the woman who made it available to the public, remains an impressive representation of the state of the art of descriptive ornithology in the late nineteenth and early twentieth centuries. 

Frederic F. Burchsted

Cheryl Knott Malone

University of Texas at Austin

 

The authors thank Ellen B. Wells, head, Special Collections Department, Smithsonian Institution Libraries, and Ken Craven, research associate, Harry Ransom Humanities Research Center, for their assistance.

 

[Originally published in Journal of Library History, vol. 27, no. 1 (Winter 1992): 78-81.]

 

 
          Last updated June 30,  2001